We'll start with the original. To take this shot, we used a Canon 40D with a fixed lens 50mm at f1.8. We fired with a shutter speed of 1/125 and an ISO of 400. We used fixed ambient light in front of the model, and a Canon 430 EX II flash was remotely triggered just behind and to the left, directly towards the camera. The placement of the flash is what gives the photo the overexposed, washed out look that we were going for. We used a manual white balance of 5500K.
The first thing we do is pull the photo into Aperture as part of a batch import. Normally we'd inspect the histogram and adjust levels (white and black point) as well as any exposure. For this particular picture, we left the picture exactly as it came out of the camera, but cropped the bottom a bit to give more focus to the face and eyes. We always shoot in RAW format which makes for easier editing adjustments on the photo later, if we need to. In Aperture, we used the spot heal brush to smooth up a few spots, and then pulled the photo into Photoshop CS3. We used a filter (image - adjustments - photo filter) and applied a violet filter. After tweaking the density settings and luminosity, we were satisfied and saved it back into Aperture.

Now back in Aperture, we opened up the the photo with a Nik Software plugin called Viveza. We used this to place control points on facial areas (eyes, eyebrows, lips) and subtly accentuate them with a little more contrast. We also pulled a bit of the magenta out of the face with control points so it wasn't as red.

The picture looks pretty good at this point, but we want to get rid of some of the purplish lens flare that is showing around the hair, so we used a graduated fog filter from Color Efex (also Nik Software) to blend the bottom out a bit more. After this, the final step is to apply one of our custom fashion action presets to give the whole photo a nice blended look and smooth out the edges.
The finished product:

This all sounds like a lot of work, right? Actually, the whole process took less than 5 minutes. While this is more time than we would spend on individual photos for batch processing (our workflow for that is quite fast), it's not bad for giving one photo that little extra pop that could land it on a magazine cover.
Comment below and let us know if this tutorial was helpful!
Brent Deitrich, Live View Studios



